J.W. Burleson photo / Boquillas del Carmen, Coah.

PHB

My photo
Brooklin, Maine, United States
We own a 1975 GMC Sierra Grande 15 in Maine and a 1986 Chevrolet Custom Deluxe 10 in West Texas. Also a pair of 1997 Volvo 850 wagons. Average age in the fleet is 28 years--we're recycling. I've published 3 novels: THE LAW OF DREAMS (2006), THE O'BRIENS (2012), and CARRY ME (2016). Also 2 short story collections: NIGHT DRIVING(1987) and TRAVELLING LIGHT (2013). More of my literary life is at www.peterbehrens.org I was a Fellow at the Netherlands Institute for Advanced Study for 2012-13. I'm an adjunct professor at Colorado College and in the MFA program at Queens University of Charlotte. In 2015-16 I was a Fellow at Harvard University's Radcliffe Institute for Advanced Study. The Autoliterate office is in Car Talk Plaza in Harvard Square, 2 floors above Dewey Cheatem & Howe. SUBSCRIBE TO THE AUTOLITERATE DAILY EMAIL by hitting the button to the right.

Thursday, February 25, 2021

Eva H.D., "Bonedog"

       JoAnn Verburg photo.
                                                

Bonedog

 

Coming home is terrible.

Whether the dogs lick your 

face or not; whether you

have a wife or just a wife-

shaped loneliness waiting

for you, coming home

is terribly lonely so

that you will even think 

of the oppressive barometric 

pressure back 

where you have just come 

from with fondness

because everything is worse

once you're home.

You will think of the

vermin clinging to the 

grass stalks, long hours

on the road, roadside

assistance and ice creams

and the peculiar shapes

of certain clouds

and silences

with longing

because you did not want

to return;

coming home is just

awful, and the homestyle

silences and clouds

contribute to nothing

but the general

malaise. The clouds,

such as they are,

are in fact suspect

and made from a different

material than those

you left behind.

You yourself are cut

from a different

cloudy cloth,

returned, remaindered,

ill-met by moonlight,

unhappy to be back,

slack in all the wrong

spots, seamy suit

of clothes, dishrag-

ratty, worn.

 

You return home

moonlanded, foreign,

the earth's gravitational

pull an effort now redoubled

dragging your shoelaces

loose and your shoulders, 

etching deeper the 

stanza of worry

on your forehead,

you return

home deepened,

a parched well,

linked to tomorrow

by a frail strand of

anyway:

you sigh

into the onslaught

of identical days, one

might as well

at a time.

 

Well, anyway,

you're back,

the sun goes up

and down like a

tired whore,

the weather immobile

as a broken limb

while you just keep

getting older.

Nothing moves

but the shifting tides

of salt in your body.

Your vision blears.

You carry your weather

with you, big

blue whale, a

skeletal darkness;

you've come back

with X-ray vision;

your eyes have become

a hunger.

You come home

with your mutant gifts

to a house of bone.

 

Everything you see now.

All of it. Bone.


                                    -Eva H.D.

                                  (The poem is recited by Jessie Buckley, playing the protagonist in Charlie Kaufman's film I'm Thinking of Ending Things)

 

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