Trucks, cars, highways, landscape, good writing. "You cannot travel on the path, before you have become the Path itself."
Friday, July 13, 2012
Wednesday, July 11, 2012
1950 Chevrolet 3/4 ton: the lustre of disaster.
From our man in south Saskatchewan, Alex Emond:
"Now we're pulling into Shamrock, Sask. This old Chev is really something ...takes a lickin' and keep on tickin'! Just a beast, and the chronological sheen is most impressive ... the lustre of disaster. Basically , a piece of public art. And a beast of burden...
"Kind of like this multicoloured GMC that was sticking its snout out of a hedgerow." --AE
"Now we're pulling into Shamrock, Sask. This old Chev is really something ...takes a lickin' and keep on tickin'! Just a beast, and the chronological sheen is most impressive ... the lustre of disaster. Basically , a piece of public art. And a beast of burden...
"Kind of like this multicoloured GMC that was sticking its snout out of a hedgerow." --AE
Tuesday, July 10, 2012
American Road & the Delta 88
From our Northern Calif/Nevada correspondent:
"Will be absent from the Silver State investigating southern Colorado environs for a bit; this, just over the Utah line on 50, is one of my favorite signs enroute...for all your Oldsmobile fans:
"East of Fallon, #1"
"East of Fallon #2"
"East of Fallon #3"
"Will be absent from the Silver State investigating southern Colorado environs for a bit; this, just over the Utah line on 50, is one of my favorite signs enroute...for all your Oldsmobile fans:
"East of Fallon, #1"
"East of Fallon #2"
"East of Fallon #3"
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| all images ex. Oldsmobile ©2012 Michael S. Moore |
Monday, July 9, 2012
Thursday, July 5, 2012
Gary Snyder on Lew Welch
In a piece in The London Review (May 24 2012) Iain Sinclair visits Gary Snyder at home, and quotes Snyder about the cabin near the Forks of the Salmon where Lew Welch worked on his Hermit Poems and where he says Welch had achieved: "the meeting of an ancient Asian sage-tradition, the “shack simple” post-frontier back country out-of-work working man’s style, and the rebel modernism of modern art’."
| "Grizzly" ©Alex Emond 2012 |
Wednesday, July 4, 2012
Ed Burtynsky: Highway #1
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Edward Burtynsky, Highway #1, Intersection 105 & 110, Los Angeles, California, USA, 2003. Chromogenic color print. Photograph © Edward Burtynsky, courtesy Nicholas Metivier Gallery, Toronto; Hasted Hunt Kraeutler, New York; and Adamson Gallery, Washington, DC.
Ed Burtynsky's show OIL was up at this spring The Photographers' Gallery, London. Not sure where it is heading next but the work is stunning, frightening, impressive.
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