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Humidity
I was still a girl. At dusk, I saw the rows of pear trees, trunks brushed halfway up in lime, running back over the hillside. In the end
. I turned myself into a headlight. C’mon out, you janky misty Motherfuckers—
. Drawn to change landing in a dish of change (paper clips, safety pins), I am like my mother, oh very like
. Dropping, at night, toward a runway’s landing lights? Voices in the ribs of a shipwreck
. Amy Lord’s older brothers, I remember, jumped down, one with a boom box. Little Feat, or some shit, carried on through the pines
. (Earlier they’d been on top of the gates, getting high)
. A driver lays on the horn. The crows, gathered around adead crow on Sheridan, scatter overhead. They keep returning then breaking up, returning and breaking up
. The orchard, of course, was an order
. Now we live in Laramie, off I-80, the acceleration of semis, leveling out after the descent, a constant, throaty presence
. The bigger girls kept walking up the trail, then they turned, they walked back through us
-Kate Northrop
(Humidity first appeared in Sugar House, vol. 22)
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