Yes, the road.

Yes, the road.
Eagle Nest, New Mexico. “People like to drive because driving is actually and symbolically an almost perfect mechanism for escape…there is probably no human being who does not have troubles, real or imagined, from which he at times feels the need to flee.” George R. Stewart.

PHB

My photo
Brooklin, Maine, United States
We own a 1975 GMC Sierra Grande 15 in Maine and a 1986 Chevrolet Custom Deluxe 10 in West Texas. Also a pair of 1997 Volvo 850 wagons. Average age in the fleet is 28 years--we're recycling. I've published 3 novels: THE LAW OF DREAMS (2006), THE O'BRIENS (2012), and CARRY ME (2016). Also 2 short story collections: NIGHT DRIVING(1987) and TRAVELLING LIGHT (2013). More of my literary life is at www.peterbehrens.org I was a Fellow at the Netherlands Institute for Advanced Study for 2012-13. I'm an adjunct professor at Colorado College and in the MFA program at Queens University of Charlotte. In 2015-16 I was a Fellow at Harvard University's Radcliffe Institute for Advanced Study. The Autoliterate office is in Car Talk Plaza in Harvard Square, 2 floors above Dewey Cheatem & Howe. SUBSCRIBE TO THE AUTOLITERATE DAILY EMAIL by hitting the button to the right.

Sunday, October 4, 2015

Stephen Shore: American Surfaces

Stephen Shore, American Surfaces: Queens, New York, April 1972

from a review of Shore's 2014 show, posted on Esse 
"...Shore has the unique ability to document vernacular subjects with the formal casualness of a vacation snapshot but in a way that invests them with a kind of existential monumentality. In other words, he makes the overlooked details of everyday life important, plucking them from their place in space and time with the click of a well-placed shutter. Seen together, his photographs of American roadsides from the 1970s look as contemporary as his images of modern day Abu Dhabi. Scale is often the only giveaway about “when” we are seeing in Shore’s photographs. Keeping the size of the original images, the show lets the older snapshots brush up (sometimes quite literally) against the artist’s more recent large-scale prints..."

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