Yes, the road.

Yes, the road.
Eagle Nest, New Mexico. “People like to drive because driving is actually and symbolically an almost perfect mechanism for escape…there is probably no human being who does not have troubles, real or imagined, from which he at times feels the need to flee.” George R. Stewart.

PHB

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Brooklin, Maine, United States
We own a 1975 GMC Sierra Grande 15 in Maine and a 1986 Chevrolet Custom Deluxe 10 in West Texas. Also a pair of 1997 Volvo 850 wagons. Average age in the fleet is 28 years--we're recycling. I've published 3 novels: THE LAW OF DREAMS (2006), THE O'BRIENS (2012), and CARRY ME (2016). Also 2 short story collections: NIGHT DRIVING(1987) and TRAVELLING LIGHT (2013). More of my literary life is at www.peterbehrens.org I was a Fellow at the Netherlands Institute for Advanced Study for 2012-13. I'm an adjunct professor at Colorado College and in the MFA program at Queens University of Charlotte. In 2015-16 I was a Fellow at Harvard University's Radcliffe Institute for Advanced Study. The Autoliterate office is in Car Talk Plaza in Harvard Square, 2 floors above Dewey Cheatem & Howe. SUBSCRIBE TO THE AUTOLITERATE DAILY EMAIL by hitting the button to the right.

Saturday, July 22, 2017

At the Petersen Automotive Museum: High Art of Riding Low

At the Peterson Automotive Museum in LA, July 1, 2017 – July 2018: "The High Art of Riding Low: Ranflas, Corazón e Inspiración examines the diversity and complexity with which 50 artists visualize, celebrate, and interrogate the lowrider car through vehicles, paintings, sculptures, and site-specific installations. The lowrider car (ranfla) inspires many artists, but it is especially celebrated by Chicana/o artists throughout the Southwest. Symbols of cultural pride (corazón), and icons of everyday life experiences, lowriders also embody the formation of multicultural communities through a passion for a specific form of car customization. As “canvases of self-expression,” lowriders serve as the basis of artistic creativity (inspiración), inspiring generations of artists to engage with their iconography, performativity, and aesthetics..."




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